(above) header tab 5 generation browse demonstration: Page Index > Songbook site index > Songwriter > Songwriters to 1954 > Berlin, Irving > Berlin pages (11) — correction: The page Irving Berlin: selected songs of 1909 and 1910is now included in the Berlin drop down index.
“Send it to ZOOM” and SASE songs from the children’s TV series ZOOM (original series, 1972-1978), with lyrics, transcribed by doc (me):
Send it to ZOOM (Newton Wayland) – seasons 1 and 2
at least partly written by Newton Wayland:
Send it to ZOOM #2 – season 2, cast 2 of 3
Send it to ZOOM #3 – season 4
SASE song – season 4
SASE song – season 5
There are more (original series) ZOOM song lyric transcriptions by me in my ZOOM lyrics page.
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(above) original season 1 (1972) cast members, counter-clockwise from bottom left: Kenny Pires, Joe Shrand, Tracy Tannebring, Nancy Tates, Jon Reuning, Nina Lillie, Tommy White
Send it to ZOOM (Newton Wayland)
Season 1 (1972), full cast, in this order: Kenny, Tommy, Tracy, Nina, Joe, Nancy, Jon
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Season 2 (1972-1973), cast 1 of 3: Nancy Tates, Ann Messer, Kenny Pires, Maura Mullaney, David Alberico, Tracy Tannebring, Jay Schertzer
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(below) on the album Come On and ZOOM, A&M Records SP-3402, released in 1974 — The lyric is a little different in this version.
Send it to ZOOM (Newton Wayland) – The song is titled “Address Song – Send It To Zoom!” on the 1974 album Come On and ZOOM.
lyric transcribed by doc (Jim Radcliff) on 27 July 2017, from the season 1 (1972) version; latest edit: c. October 2020
Say you wake up in the middle of the night You got an idea that’s outta sight
So you jump out of bed, look around your room You gotta write it down and send it to ZOOM
Or say you’ve just seen something on this show Or someone cool you just gotta know
Write it all down, don’t make a mess And don’t forget your name and address
Include a stamp so we can drop you a card Then dip your note in a bucket of lard
Joe doesn’t know what he’s talking about You put it in an envelope, without a doubt
Then take your typewriter, pencil, or pen And if you make a mistake you gotta do it again
Write ZOOM Z-double-O-M Box 3-5-0 Boston MASS 02134
on lyric variants:
In the season 2, cast 1 of 3, version, line 11 is changed to “David doesn’t know what he’s talking about.”
In the version on the 1974 Come On and ZOOM album, which also features some other, less significant, variations from the original lyric, lines 11 and 12 go
Lard’s what you use for soap, you dope You put your note in an envelope
The address section forms a coda in all versions of the song, but the version on the 1974 Come On and ZOOM album has an extension added to end of the coda where all sing “Send it to ZOOM!” The revised coda, with the “Send it to ZOOM!” ending, was subsequently included at the end of later ZOOM address and SASE songs.
David Alden Lambert (June 19, 1917 – October 3, 1966) was an American jazzlyricist, singer, and an originator of vocalese. He was best known as a member of the trio Lambert, Hendricks & Ross. Lambert spent a lifetime experimenting with the human voice, and expanding the possibilities of its use within jazz.
Lambert’s band debut was with Johnny Long‘s Orchestra in the early 1940s.[1] Along with early partner Buddy Stewart, Lambert successfully brought singing into modern jazz (concurrently with Ella Fitzgerald). In the late 1950s he teamed with wordsmith and vocalese pioneer Jon Hendricks. The two were later joined by Annie Ross, and the lineup was a hit.
After Ross left the group in 1962, Lambert and Hendricks went on without her by using various replacements, but the partnership ended in 1964. He then formed a quintet called “Lambert & Co.” which included the multiple voices of Mary Vonnie, Leslie Dorsey, David Lucas, and Sarah Boatner. The group auditioned for RCA in 1964, and the process was documented by filmmaker D. A. Pennebaker in a 15-minute documentary entitled Audition at RCA.[2][3]
Audition at RCA, 1964 documentary by D. A. Pennebaker — Songs performed by Lambert & Co. in the film include the following, in this order, “Individualist Waltz” (also referred to elsewhere as “Blow the Man Down”), “Think of Me,” “Leaving,” and “Comfy Cozy.” The performance of “Comfy Cozy” begins shortly after 9:55 in both copies of the film provided below.
personnel: Dave Lambert, Sarah Boatner, Mary Vonnie, Leslie Dorsey, and David Lucas (vocals), Moe Wechsler (piano), George Duvivier (bass), and Gary Chester (drums)
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In the page Dave Lambert: Lost Tracks at JazzWax, dated June 5, 2013, Marc Myers reveals that there were five tracks recorded during the RCA audition that day, and provides a video containing each track, which he says had been uploaded to YouTube by someone a week before the JazzWax page was published. In the same page, Myers indicates that Dave Lambert wrote four of the five songs. If that is correct, then Lambert wrote all except “Old Folks,” a jazz standard that isn’t included in the Pennebaker film. Myers notes that the unearthed tracks include “a complete version of Comfy Cozy, which sheds new light on Lambert’s composing and harmony genius.”
Comfy Cozy (Dave Lambert) — Lambert & Co., RCA Audition, 1964 (complete version) — lyric, transcribed by doc (Jim Radcliff) on 10/9/2020, below the video
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Comfy Cozy (Dave Lambert) — as sung by Lambert & Co., 1964 — lyric
Comfy cozy, nice and warm And snug as a bug in a rug You know your life is rosy, wrapped in arms Never be drug
So secure, no need to speak I know what it’s all about Got my security blanket ‘gainst my cheek Gum in my mouth
Love is a way of just living your life Live it that way and truly you’ll see Comfy cozy all your own You know you can swing with that God bless the child that gets his love at home Fortunate cat
Comfy cozy Snug, yeah, snug You’re bugged in your rug
Comfy cozy Snug, yeah, snug You’re bugged in your rug
Oh, what a tall tale Why won’t he let us wail Like “Way down upon the comfy cozy”
Blazing a trail from yesterday You follow here You may hope to find Some comfy cozy all your own You know you can swing with that God bless the child that gets his love at home Fortunate cat
~lyric transcribed by doc (Jim Radcliff) on 9 October 2020 — Please let me know in a comment here, or via my Contact page, if you notice any errors in the transcription.
Not included in my transcription are three short but intense interjectory vocalized sections and a longer early Swingle Singers-like interlude. The first two short interjectory sections come after the first and second “bugged in your rug” sections. Each take the form of an improvised scatting dialog between one of the other male singers and Dave Lambert in which the scatting of David Lucas, in the first case, and Leslie Dorsey in the second, seem to be mockingly dismissed by Lambert’s scatting responses.
The third interjectory section, again evidently improvised, follows the section in which the singers complain that the leader, Lambert, won’t “let us wail.” This time all members speak, and they use normal words and phrasing instead of scat, but it’s hard to make out all the words because several are speaking at the same time. Lambert starts off the section again sounding critical and dismissive, but his jeering response is met this time by more complaints, which he finally seems to acquiesce to, leading to the interlude.
The page features a selection of musical numbers performed by the season 5 cast of the 1970s TV series ZOOM. Most of the numbers feature popular songs, including several from the 1960s and 70s, and a couple of the numbers feature medleys of three or more songs.
(above) ZOOM season 5 (1976) cast: (clockwise, from top left) Jennifer Gold, Nell Cox, Arcadio Gonzales, Karen Wing, Ron Richmond, Levell Gethers, Chris Blackwell
Songs included in the new page:
Come on and Zoom (Newton Wayland) – the intro or opening of each episode
Here Comes the Sun (George Harrison) – recorded by the Beatles for their 1969 album Abbey Road
Let the Sunshine In (m. Galt MacDermot, w. James Rado and Gerome Ragni) – from the 1969 musical Hair — The song is better known as part of the “Aquarius/Let the Sunshine In” medley first recorded by The 5th Dimension.
Video published on YouTube by ZOOM season 5 cast member Chris Blackwell
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Sing medley
Sing (Joe Raposo) — Sesame Street song, composed in 1971
All of the photos were taken during the brief 10-day London tour, which included one day in Amsterdam, by The Supremes in October 1964, in the wake of the international explosion of their hits “Where Did Our Love” and “Baby Love.” The latter became the first #1 hit in the UK by a Motown artist. I’ve no idea why they are sitting beside a Christmas tree in October in some of the photos.
Among the albums seen in the image below are the following:
Jack Teagarden — A Portrait of Mr. T, (UK) Columbia 33SX 1643, released in 1964 (released in 1963 on Roulette in the US)
Brian Hyland — Country Meets Folk, (UK) His Master’s Voice CLP1759, released in 1964
Baby Love(Brian Holland, Lamont Dozier and Edward Holland, Jr.)
(below) The Supremes lip-sync to “Baby Love” on an episode of Top of the Pops, originally broadcast on 15 October 1964. It’s the debut UK television appearance by the Supremes. Evidence suggests (see the “Baby Love” page) that the group may have worn the same dresses for the TOTP appearance (possibly taped 7-8 October), a performance at the Carré Theatre in Amsterdam on 14 October, as well as for Manchester Square and Christmas tree photo shoots.
I know some of you want more photos of The Supremes taken during the March-April 1965 Motortown Revue UK tour. Here’s a few of the group on the streets of London during that time, which I may to add to the page Motortown Revue UK Tour, 1965.
(below) Live TV studio recording for the Ready Steady Go! special The Sound of Motown (Season 2, Episode 35) — taped at Rediffusion Television Studios on 18 March 1965; originally broadcast on 28 April 1965
The new page is the third in my series of 12/8 and 6/8 time songs. As is the case throughout the series, the specific recording of a song selected is either the original recording, when it happens to be in 12/8 or 6/8 time, or the first recording of the song in 12/8 or 6/8 time that I’ve identified. I haven’t yet decided whether to continue the series to part 4.
Those of you who’ve been following the series may note that I’ve changed the phrase “12/8 time songs” to “12/8 and 6/8 time songs” in the previously published pages. A couple of months after I published the first two pages, while reviewing them one day I found that quite a few of the recordings that I’d identified as being in 12/8 time now seemed to me to be in 6/8 time, and there were at least a couple that I was now uncertain about. After considering for awhile breaking up each of the three parts into two sections, one for 12/8 and one for 6/8, eventually I decided to just change all the page titles.
Louis Armstrong All Stars — taped on 2 July 1968at Shepherds Bush Studios, London (BBC)
Louis Armstrong (vocal), Tyree Glenn (trombone), Joe Muranyi (clarinet), Marty Napoleon (piano), Buddy Catlett (bass), Danny Barcelona (drums)
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12/8 and 6/8 time were so ubiquitous in songs and recordings of the late 50s and early 60s that I’ve no intention of trying to compile a comprehensive list. Below is my present list, which certainly may be added to from time to time.
1956 – Blueberry Hill (Fats Domino version), In the Still of the Night, My Prayer (Platters version), One Night (Smiley Lewis), A Thousand Miles Away, The Way You Look Tonight (Jaguars version)
1958 – 16 Candles, Donna, Ebb Tide (Avalons version), I’m So Young, It’s All in the Game (Tommy Edwards version), It’s Only Make Believe, One Summer Night, Since I Don’t Have You, Tears on My Pillow, To Know Him Is to Love Him
1960 – At Last (Etta James version), Get Well Soon, P.S. I Love You (Starlets version), White Christmas (Statues version), You Belong to Me (Santo & Johnny version)
1961 – Can’t Help Falling in Love, Come Home Soon, Daddy’s Home, House of the Rising Sun (Bob Dylan arrangement), I Love How You Love Me, A Moment Ago, My True Story, A Sunday Kind of Love (Mystics version), Till (Angels version), Tragedy (Fleetwoods version)
1962 – Bring It On Home to Me, Cry Baby Cry, Don’t Make Me Over, The End of the World, Surfer Girl (demo), You’ve Really Got a Hold on Me
1963 – Anyone Who Had a Heart, Go Now, I’d Die, In My Room, Surfer Girl
(above) ZOOM season 4 (1974-1975) cast, left to right – Norman Christian, Carmen Hernandez, Andrae Neilsan, Tracey Dunlap, Tommy Schultz, Harvey Reed, Tishy Flaherty, Cate Wadsworth, David “Red” O’Brien, David Sales
Howdy folks! Today I published the following page (link fixed 9/23/2020):
While I’ve struggled to find songwriter credits for some of the original songs included in the page, it’s likely that Newton Wayland, musical director and composer for the original series (1971-1978), at least composed the music for them. However, some of the originals performed in the series were co-written by him and another songwriter, so I’m going to omit lyricist credits for songs where I’m uncertain for now.
Musical staging is by Billy Wilson. See the touching tribute article at The AIDS Memorial, Facebook, published August 14, 2018.
Recordings of some of the songs featured in the new page are also found on the 1977 album ZOOM Tunes, Rounder Records 8005. Despite it’s 1977 release (1978, according to some sites) the “ZOOMers” listed on the back of the album are primarily cast members from season 4 (1974-75). The album also includes at least a couple of songs that were used in production numbers in season 5 (1976).
Blue Balloon (Newton Wayland, Christine Stark*) – with lyric transcription
Zoomba
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I Dig Rock and Roll Music (Paul Stookey, James Mason, and Dave Dixon) — performed by ZOOM season 4 cast members: David Sales, Tishy Flaherty, Carmen Hernandez, Cate Wadsworth, Andrae Neilsan, Harvey Reed, Tracey Dunlap, and Tommy Schultz
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* The back of the 1977 ZOOM Tunes album indicates that “[a]ll original tunes and arrangements” are by Newton Wayland, Musical Director of ZOOM. However, some of the original songs are “based on poems” by various children, probably ZOOM fans who sent their poems to the show. The words to “Blue Balloon” are based on a poem by Christine Stark, age 10, of Middle Village, NY. “City Child” is based on poems by three different children, ages 8-10.
Riddles by Donna Moore – performed by 70s ZOOM members Joe Shrand, Tommy White, Nina Lillie, Tracy Tannebring Tomson and Donna Moore
ZOOM Chat
ZOOMChat #1, 17 April 2020 – host Pablo Velez, Jr. (1999), with guests Jay Schertzer (1972-1973), Bernadette Yao (1972-73), Kenny Yates (2000, 2001), Frances Domond (2001), and Kaleigh Cronin (2001, 2002)
ZOOM reunions on The Dr. Joe Show @ Facebook, a podcast featuring Dr. Joe Shrand with assistant Mark Stiles and guests
4 March 2020 — “I’m Joe” – ZOOM reunion with season 1 (1972) cast members Tommy, Tracy, Kenny, and Joe
28 May 2020 — “Dr. Joe with David Kamp and the Zoom Family” — guests: David Kamp, author of the book Sunny Days, and ZOOM season 2 (1972-1973) cast members Bernadette Yao and Leon Mobley
25 June 2020 — “A Zoom Zoom Reunion!” — Dr. Joe’s guests: season 1 (1972) cast members Nancy, Kenny, Tommy, season 3 (1973-1974) cast member Donna Moore, and series creator Christopher Sarson; co-host Thomas McCoy
4 March 2020 — “The Story of “Zoom”” — same as the “I’m Joe” episode at the Facebook page, featuring season 1 (1972) cast members Tommy, Tracy, Kenny, and Joe
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1 June 2020 – “The Social Impact of 70s Children’s TV with David Kamp and the Cast of Zoom” — a portion of the 28 May 2020 episode at the Facebook page — guests: David Kamp, author of the book Sunny Days, and ZOOM season 2 (1972-1973) cast members Bernadette Yao and Leon Mobley
ZOOM was one my favorite TV shows in the early 1970s, and the cast of season 1 was a great team.They sang and danced as if they meant it. They played and laughed together, and sometimes shared each other’s sorrows and concerns in ZOOMraps.
I remember being heartbroken and in disbelief when I learned that not all of the original seven were to return for season two. Only three would return. How could you just break them up? My memory is that the album Playgrounds, featured in the “Always Friends” page, came out well into season 2 of the series, when even the three remaining originals who had carried over to the beginning of season 2 were gone.
Somehow I’d heard the song “Always Friends” back in 1973, though I’d never bought the album. Might have been too expensive. I don’t recall whether I heard it played on PBS to advertise the album or whether it was played on the radio. The song was beautiful, but to me it was also a deeply cutting reminder of the heartbreak of learning that the original seven were not all coming back. Four of them were apparently gone from our lives, forever, or so it seemed…
We really do belong a team And we had the simple dream That we wouldn’t have to break apart
I hadn’t heard the song for well over forty years before coming across it again a few years ago.
If you’re a fan of the early ZOOM series, and particularly of the inaugural 1972 season, then don’t miss the March 4th Dr. Joe Show episode featuring a reunion of four of the seven cast members of that first season. Tommy White joins Dr. Joe Shrand and his assistant Mark Stiles in the studio while they connect to two others by phone, Tracy Tannebring Tomson calling in from Plano, Texas and Kenny Pires calling from Hampton, Virginia.
With the quorum being moderated by Dr. Joe, each takes a turn telling their personal story of how they were chosen to be a member of the first ZOOM cast, and the four share variously funny and touching stories of their experiences while engaged in creating the weekly episodes of the show. However, to me the highlight of the show was a blessing given by Kenny starting at about the 25 minute point, which I’ve transcribed below.
You know what the most special thing is, from the show, is that we were kids…and we met…we were from all walks of life…all over the place, and to this day, however many…I don’t even wanna know what the years are, I’m not gonna mention that…but we are still friends, to this day…and we haven’t, you know, a lot of us haven’t talked, um, through those years or whatever, and we’ve met for the reunions, and some of us have been there and some of us haven’t, but it doesn’t matter, because we had a special thing, back in the day…and I love them all. And we love each other so much to where, you know, it doesn’t matter how long we haven’t been together, when we get together again it’s like we weren’t apart.
1960 – At Last (Etta James version), Get Well Soon, P.S. I Love You (Starlets version), White Christmas (Statues version), You Belong to Me (Santo & Johnny version)
1961 – Can’t Help Falling in Love, Come Home Soon, Daddy’s Home, I Love How You Love Me, A Moment Ago, My True Story, A Sunday Kind of Love (Mystics version), Till (Angels version), Tragedy (Fleetwoods version)
1962 – Bring It On Home to Me, Cry Baby Cry, Don’t Make Me Over, The End of the World, Surfer Girl, You’ve Really Got a Hold on Me
1963 – Anyone Who Had a Heart, Go Now, I’d Die, In My Room
links: selected articles, forum threads, and videos on 12/8 time (bottom of page)
For items in the list in which a specific recording of a song is indicated, in each case this marks the first recording of the song in 12/8 or 6/8 time that I’ve identified. For all other songs in the list, the original recording is in 12/8 or 6/8 time time.
The Fleetwoods — issued in March 1961 on the single Dolton No. 40, b/w “Little Miss Sad One” – The title of this post, “Blown by wind, kissed by snow,” is how that line is sung in the 1958 recording of “Tragedy” by Thomas Wayne with The DeLons, and in various covers. In the 1961 Fleetwoods recording, the line is “Blown by wind, kissed by the snow.”
About the site
1890-1899 selected hits and standards
