What is a “Songbook standard,” again?

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Songbook champagne header 1a

The following page, published on 17 March, was substantially revised and expanded on 21-22 March (latest revision, 2 July 2017):

See also the relevant comment exchange between Robert Silvestri and myself at the bottom of the page.

Now that I surrender, so helplessly

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Today I published the following new page:

Any errors regarding questionable dates or other details will be corrected as new information comes to light.

Come and get these memories

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Motortown Revue group photo, c.1962-1963

Published a new page today:

I also published a Motown index page today. The latter doesn’t contain new pages, except for the 1962 Motortown Revue page. It’s simply a step in reorganizing my Motown pages.

In construction:

  • Motortown Revue UK Tour, 1965

Don’t throw our love away

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Visit my latest page, published today:

Supremes, October 1964, Manchester Square, London (1)Supremes, October 1964, Manchester Square, London (3)

We’re gonna teach you to fly high!

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For ZOOMers of all flavors, there’s a little surprise for you on my new page:

You get a line and I’ll get pole, honey

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Today I published the following new page:

See also the two related Songbook pages (previously published):

Crawdad Song (traditional) aka “The Crawdad Song,” “Crawdad Hole,” “Crawdad,” “You Get a Line and I’ll Get a Pole,” etc.

The obvious, though frequently unacknowledged, connection of “Crawdad Song” and other related American folk songs to the much earlier British folk song “Frog Went a-Courtin’” is explored in the page “You’ve Been a Good Old Wagon But You’ve Done Broke Down.”

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The new page “Crawdad Song — selected recordings, 1933-1967,” which may be expanded by additional recordings, presently includes the following recordings, under various titles:

1933 Crawdad Song-Lone Star Cowboys-Bluebird B-6052

  • Lone Star Cowboys — “Crawdad Song” (arrangement by Lone Star Cowboys members Leon Chappelear, Bob Attlesey, and Joe Attlesey) — recorded on 5 August 1933; issued on Bluebird B-6052, b/w “Just Because”
  • Jim Lewis Lonestar Cowboys — probably from Vocalion 03754, c/w “Who Broke the Lock on the Henhouse Door,” both sides recorded on 24 September 1937
  • Leroy Martin and unidentified performers (vocals) — recorded, as “Crawdad,” at Cummins State Farm, Camp #1, near Varner, Arkansas, on 21 May 1939 — field recording collected by John A. Lomax and Ruby T. Lomax
  • Mrs. Vernon Allen — field recording; recorded at a Farm Security Administration camp for migratory workers in Shafter, California on 15 or 16 August 1940 (two videos: parts 1 and 2)
  • Woodie Guthrie — from Muleskinner Blues: The Asch Recordings Vol. 2 (1), (2), recorded in New York, NY, between 1944 and 1947
  • Al Clauser and his Oklahoma Outlaws — 1947(?) — I’ve been unable to verify the date, 1947, given by the video provider, but the recording was evidently included in a 2004 compilation of recordings by the band titled Hot Western Swing 1937-48 featuring Patti Page, Krazy Kat 32
  • Lulu Belle & Scotty — recorded as “The Crawdad Song,” c.1950
  • Evelyn Knight and Red Foley — recorded on 28 November 1950; issued in 1951 on the 78 rpm single Decca 27599, and on the 45 rpm single Decca 9-27599, c/w “Idle Rumors” in each case
  • Smokey Hogg — recorded, as “Crawdad,” on 9 January 1952 in Los Angeles, CA; issued on the 78 rpm single Fidelity F 3006**, and on the 45 rpm single Fidelity 3006, c/w “Born on the 13th” in each case / personnel, adapted from http://www.wirz.de/music/hoggfrm.htm: Smokey Hogg – vocal, guitar; Lou “Freddie” Simon – tenor saxophone; Willard McDaniel – piano; Bill Davis – bass; Al “Cake” Wichard – drums
  • Big Bill Broonzy — Despite the titles given by the video providers, each of the dated recordings below by Big Bill Broonzy was titled “Crawdad Hole” upon original release.

  • Big Bill Broonzy (continued)
    • 4. Undated recording
  • Sam Hinton — recorded as “The Crawdad Song” — originally issued on the 1957 album Whoever Shall Have Some Good Peanuts (And Other Folk Songs For Children), Scholastic Records ‎SC 7530, Folkways Records ‎SC 7530
  • The Goldenaires Choir — from the 1959 album Songs of the Southern Mountains, VOX VX 26.120
  • Brownie McGhee and Sonny Terry — recorded at Van Gelder Recording Studio, Englewood, N.J. in 1961; originally released,  as “Crawdad Hole,” on the 1978 album You Hear Me Talkin’, Muse Records MR 5131
  • Flatt & Scruggs with the Foggy Mountain Boys perform “The Crawdad Song” for a 1962 episode of the Grand Ole Opry TV series

1963-old-time-music-at-clarence-ashleys-part-2-folkways-fa-2359-d251961-old-time-music-at-clarence-ashleys-folkways-records-fa-2355

musicians:

  • Clint Howard – lead vocal, guitar
  • Doc Watson — tenor vocal, guitar
  • Fred Price — fiddle
  • Doc Watson, Clint Howard, and Fred Price — recorded in 1967 for the Seattle Folklore Society; released, as “Crawdad,” on the album Old Timey Concert, Vanguard ‎VSD • 107/08

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Also published today:

  • The new index page traditional songs — This is not a list of all traditional songs included in Songbook (this site). Rather, it is a brief index of each feature page on the site devoted entirely to a single traditional song. Any such pages unintentionally omitted from the index will be added ASAP. The index page presently includes the following list:

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* Recording date, location, and musician information adapted from http://www.oocities.org/folkfred/ashley.html (cache)

** S. Hogg is incorrectly credited as the writer of “Crawdad” on the label of the A-side of Fidelity F 3006.

summer break

surfer_girl_sun_2

Hi,

Greetings to all my visitors, new and old. The purpose of this message is to announce that I have decided to take a break from creating and posting new work on the site until at least mid-September. Will post an update should my plans change in the interim. During the break, I might allow the maintenance to slip a bit more than usual, so that visitors may find a few more deleted videos than normal on the site. Will try to keep it looking presentable. Also, I will continue to respond promptly to comments.

Hope you all enjoy the summer. Best wishes.

Regards, doc

Pour toi / Feelings / Sentimientos / Dis-lui

1975 Feelings-Morris Albert (LP) RCA Victor APL1-1018 (back)-d30Selected links

Song:

Singles:

Morris Albert’s 1973 recording of “Feelings” was a big hit in 1974. The song was adapted, according to a 1987 jury verdict in Federal District Court in Manhattan, by Albert from the song “Pour toi,” composed in 1956 by Louis Gasté, with lyrics by Albert Simonin and his wife Marie-Hélène Bourquin, though it took a lengthy and eventually successful 1980s copyright infringement suit to legally name Gasté as co-songwriter. Albert also released an alternate version with a Spanish-language lyric, in 1974, which was evidently written by himself, as he’s the sole songwriter credited on the label (see below). In 1975, Israeli-born French pop star Mike Brant recorded a version of “Feelings” titled “Dis-lui” (“Tell him”), with the French lyric written by Michel Jourdan.

Line Renaud and Loulou Gasté (1)Line Renaud (1)

Pour toi (m. Louis Gasté, w. Albert Simonin, Marie-Hélène Bourquin)
“Pour toi” was recorded by the singer and actress Line Renaud, wife of Gasté, in 1956, and performed by Dario Moreno in the 1957 film Le Feu aux poudres. The arrangements of the song used by Moreno in the film and in a separate studio recording with an orchestra sound very little like Morris Albert’s 1973 recording of “Feelings,” though portions of the melody are similar. The 1956 recording by Line Renaud, in part, exhibits slightly greater resemblance to Albert’s “Feelings,” melodically and in tone, but it seems like a rather large leap to find that the melody of “Feelings” was copied or stolen from the French song.

The claim made by the plaintiff Gasté that Albert “gained access” to the virtually unknown song “Pour toi” through his publisher Fermata, which “had had some dealings with Gasté’s publishing company, Les Editions Louis Gasté, in the 1950s” was unaccompanied by evidence that such access was ever obtained.

Line Renaud — title song from the 1956 EP Pathé ‎(France) 45 EG 232

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Dario Moreno — in the 1956 film Le Feu aux poudres; the performance begins at about :49

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1957 Imploration (EP) Dario Moreno- Philips 432.182 NE

Dario Moreno — from the 1957 EP Imploration, Philips 432.182 NE

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1975 Feelings-Morris Albert (LP) RCA Victor APL1-1018-d20

Feelings (m. Louis Gasté, Morris Albert, w. Morris Albert)

Morris Albert

Feelings — issued in 1974 on the single RCA Victor PB-10279, b/w “This World Today is a Mess” — US chart success: #6, Hot 100; #2, Adult Contemporary; also later released on the 1975 LP Feelings, RCA Victor ‎APL1-1018

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1974 Sentimientos-Morris Albert-(Brazil) Beverly 45-13.508

Sentimientos (aka “Dime”) — issued in 1974 on Beverly ‎(Brazil) 45-13.508; songwriting credited solely to Morris Albert on the label — A recording under the same title released by Mexican singer José José in 1974 has a different lyric.

More

Songbook site index

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Billie Holiday_prob. Pep's Musical Bar_25-30 April 1955_21890-1969 selected standards and hits pages
Galleries: performing artist and songwriter
Galleries: film
Songwriters to 1954
Songwriters, 1955-1973
Complete page index
Film Musicals and Revues: selected films and songs, 1929-47
Performing Artist features
Jazz Age
Swing Eras 1 and 2
about the site + selected notes
Friends
Acknowledgments

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billie-holiday-pearls-1a

Page index (drop-down) browse demo (1a)

(above) header tab 5 generation browse demonstration: Page Index > Songbook site index > Songwriter > Songwriters to 1954 > Berlin, Irving > Berlin pages (11) — correction: The page Irving Berlin: selected songs of 1909 and 1910 is now included in the Berlin drop down index.

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When Your Lover Has Gone

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When Your Lover Has Gone (Einar Aaron Swan)

From Wikipedia:

Einar Swan-1926-with-members-of-Vincent-Lopez-Sax-Section-c1-d40Einar Aaron Swan (born Einar (Eino) William Swan) (March 20, 1903 – August 8, 1940) was an American musician, arranger and composer. Born of Finnish parents who had emigrated to the United States at the turn of the century, he was the second of nine children.

Born in Massachusetts, his father was a keen amateur musician and before Einar Swan had entered his teens, he played violin, clarinet, saxophone and piano. At the age of 16 he was already playing in his own dance band, Swanie’s Serenaders, and travelling around Massachusetts for three years. Swan’s main instrument had been the violin but during this period he switched to alto saxophone.

Around 1924, the bandleader Sam Lanin invited Swan to join his orchestra at New York’s famed Roseland Ballroom, and Swan played with leading musicians such as cornettist Red Nichols, and members of The Charleston Chasers Vic Berton (drums) and Joe Tarto (tuba), with whom he soon started composing and arranging material for the orchestra. He also started arranging for the other resident band at the Roseland Ballroom, Fletcher Henderson’s orchestra.

After five months with Lanin, Swan joined Vincent Lopez’s band in 1925 and went on tour to England. The band at that time also featured Mike Mosiello, Xavier Cugat and his old bandmate Joe Tarto.1931-When-Your-Lover-Has-Gone-(Swan)-1 Shortly thereafter, the Bar Harbor Society Orchestra released “Trail of Dreams” credited to Swan and Klage.

Around 1930 Swan stopped working as a musician and concentrated on arrangements, starting to work for radio programmes and bandleaders such as Eddie Cantor collaborator Dave Rubinoff and Raymond Paige.

In 1931 he wrote “When Your Lover Has Gone” which was featured in the James Cagney film Blonde Crazy (1931). The song became a hit and has since been covered by many other performers such as Lee Wiley, Louis Armstrong, Ethel Waters, Billie Holiday, Sarah Vaughan and Frank Sinatra.

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Gene Austin — 78 rpm single Victor 22635, c/w Please Don’t Talk About Me When I’m Gone, recorded on 5 February 1931

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The Charleston Chasers  —  recorded in New York on  9 February 1931; issued as Columbia 2404-D, b/w Walkin’ My Baby Back Home (m. Fred Ahlert, w. Roy Turk)

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louis armstrong 02

Louis Armstrong and his Orchestra — recorded in Chicago on 29 April 1931 (source: The Louis Armstrong Discography at michaelminn.net); released as Okeh 41498, c/w Blue Again (m. Jimmy McHugh, w. Dorothy Fields)

Armstrong, Louis (Trumpet, Vocal)
Randolph, Zilner (Trumpet)
Jackson, Preston (Trombone)
Boone, Lester (Clarinet, Alto Saxophone)
James, George (Reeds)
Washington, Albert (Clarinet, Tenor Saxophone)
Alexander, Charlie (Piano)
McKendrick, Mike (Banjo, Guitar)
Lindsay, John (Bass)
Hall, Tubby (Drums)

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