Donaldson, Walter: selected standards, hits, and other songs, 1918-1934
From Wikipedia, adapted:
Walter Donaldson (February 15, 1893 – July 15, 1947) was a prolific popular songwriter, producing many hit songs of the 1910s and 1920s. He was born in Brooklyn, New York, the son of a piano teacher. While still in school he wrote original music for school productions, and had his first professional songs published in 1915. The following year he had a hit with “The Daughter of Rosie O’Grady”. After serving in the United States Army in World War I, Donaldson was hired as a songwriter by Irving Berlin Music Company. He stayed with Berlin until 1928, producing many hit songs, then in 1928 established his own publishing company. His company was legally Donaldson, Douglas & Gumble, Inc, but all the publications had Walter Donaldson’s name in large letters, and the legal name of the company in fine print.
1918 How Ya Gonna Keep ‘Em Down on the Farm? (lyrics: Sam M. Lewis, Joe Young)
1922 Carolina in the Morning (lyrics: Gus Kahn)
1922 My Buddy (lyrics: Gus Kahn)
1922 Georgia (lyrics: Howard Johnson)
1924 I Love My Chili Bom-Bom (lyrics: Cliff Friend)
1925 Yes Sir, That’s My Baby (lyrics: Gus Kahn)
1925 I Wonder Where My Baby is Tonight (lyrics: Gus Kahn)
1926(?) Don’t Be Angry With Me (w.m. Walter Donaldson)
1927 My Blue Heaven (lyrics: George Whiting)
1927 At Sundown (w.m. Walter Donaldson)
1928 Love Me or Leave Me (lyrics: Gus Kahn)
1928 Makin’ Whoopee (lyrics: Gus Kahn)
1928 My Baby Just Cares for Me (lyrics: Gus Kahn)
1929 Kansas City Kitty (lyrics: Edgar Leslie)
1930 Little White Lies (w.m. Walter Donaldson)
1930 You’re Driving Me Crazy (What Did I Do?) (w.m. Walter Donaldson) — click on title to visit separate feature page
Nine songs with music composed by Walter Donaldson are ranked in the top thousand jazz standards by jazzstandards.com. The highest-ranked include “Makin’ Whoopee” (#202), and “Love Me or Leave Me” (#206), each with lyrics by Gus Kahn.
The great lyricist Gus Kahn wrote the words for many of Donaldson’s most popular compositions. See the titles highlighted in bold navy blue in the list of hits above. Working with other songwriters, Kahn contributed to numerous additional timeless hits including “Ain’t We Got Fun,” “Toot, Toot, Tootsie (Goo’bye),” “It Had to Be You,” “Side by Side,” and “Dream a Little Dream of Me.”
Other Donaldson compositions included here:
with words and music by Walter Donaldson:
1926 Sam, the Old Accordion Man
1928 Out-O’-Town Gal
1930 That’s What I Like About You
1930 Without That Gal (possibly registered for copyright in 1926)
1931 An Ev’ning in Caroline
1934 Jungle Fever
and with lyrics by Grant Clarke:
How Ya Gonna Keep ‘Em Down on the Farm (m. Walter Donaldson, w. Sam M. Lewis, Joe Young)
Nora Bayes – recorded 1919. Ms. Bayes was a popular comedienne, singer, and actress.
From the Wikipedia profile:
Born Eleanor “Dora” Goldberg, with Dora being a pet or nickname, to a Jewish family in Joliet, Illinois, Bayes was performing professionally in vaudeville in Chicago by age 18. She toured from San Francisco, California to New York City and became a star both on the vaudeville circuit and the Broadway stage.
In 1908, she married singer-songwriter Jack Norworth. The two toured together and were credited for collaborating on a number of compositions, including the immensely popular “Shine On, Harvest Moon,” which the pair debuted in Florenz Ziegfeld’s Follies of 1908. Bayes and Norworth divorced in 1913.
After America entered World War I Bayes became involved with morale boosting activities. George M. Cohan asked that she be the first to record a performance of his patriotic song Over There. Her recording was released in 1917 and became an international hit. She also performed shows for the soldiers. [read more]
Arthur Fields – 1919
Arthur Fields (August 6, 1888 – March 29, 1953) was a United States singer (baritone) and songwriter. He was born Abe Finkelstein in Pennsylvania in Philadelphia, but grew up mainly in Utica, New York. He became a professional singer as a youngster. Around 1908 he toured with Guy Brother’s Minstrel Show, and helped form a vaudeville act “Weston, Fields and Carroll”.
His first hit as a songwriter was On The Mississippi (1912) which he wrote the music for with Harry Carroll and Ballard MacDonald supplied the lyrics. In 1914 he wrote the lyrics to Aba Daba Honeymoon, which was revived for the 1950 M.G.M. film Two Weeks With Love and thus got a renewed popularity which brought Fields large royalty incomes during his last two years. [read more of the Wikipedia article here: Arthur Fields]
My Little Bimbo (Down on the Bamboo Isle) – (Walter Donaldson, Grant Clarke)
Aileen Stanley – 1921
Performed by The New Red Onion Jazz Babies at Cafe Salvadore in Olathe, Kansas – 5 May 2009
Click on the title to visit our separate feature page.
- Carolina in the Morning (m.Walter Donaldson, w. Gus Kahn)
My Buddy (Walter Donaldson, Gus Kahn)
Henry Burr – 1922
Doris Day – 1952
I Love My Chili Bom-Bom (m. Walter Donaldson, w. Cliff Friend)
The Savoy Havana Band at the Savoy Hotel, London — issued in 1924 on Columbia (UK) 3435, b/w “Pasadena”
The Savoy Havana Band was a British dance band of the 1920s. It was resident at the Savoy Hotel, London, between 1921 and 1927.
The band was formed by the American saxophonist Bert Ralton in 1921. Originally there were six players including Ralton. It was later increased to ten players. From 1924 it was led by the English violinist Reginald Batten. Both the Savoy Havana Band and their colleagues the Savoy Orpheans were under the management of Wilfred de Mornys.
Among the players was a young American saxophonist, Rudy Vallee, whose attempts to become a vocalist were discouraged by his fellow-players. Another member of the ensemble was the pianist Billy Mayerl.
According to one source, the song was written when Donaldson & Kahn were visiting Eddie Cantor. Cantor’s daughter Marjorie brought out one of her favorite toys, a walking mechanical pig. She wound it up and it started walking in rhythm while two notes kept coming from the little creature. Kahn was inspired and started working [on] lyrics to these notes in rhythm with the pig, coming up with the title and opening line of the chorus in short order. – excerpts from wikipedia
Ace Brigode and his 14 Virginians – recorded 2 June 1925
Coon-Sanders Original Nighthawk Orchestra, vocal refrain by C. A. Coon. Recorded July 27, 1925 in Camden, NJ. First issued circa late 1925.
Jason Robards in the feature film A Thousand Clowns (1965)
I Wonder Where My Baby is Tonight (m. Walter Donaldson, w. Gus Kahn)
Ben Selvin’s Orchestra recording as The Knickerbockers – 1925
The Quintette du Hot Club de France – Django and the QHCF recorded the song three times in 1939, twice on 21/3/39 (21 March 1939) and once on 17/5/39 (17 May 1939) with the same lineup each time: Stephane Grappelly (g), Django Reinhardt, Joseph Reinhardt, Pierre Ferret (g), Emmanuel Soudieux (b)
Don’t Be Angry With Me (w.m. Walter Donaldson)
Joe Candullo and his Everglades Orchestra, dated by the provider 9 October 1926
Miss Esther Walker – recorded 26 October 1926
Sam, the Old Accordion Man (w.m. Walter Donaldson)
The Williams Sisters, with piano accompaniment by Wayne Allen – recorded 18 December 1926
Ruth Etting – recorded 1March 1927, New York
Jim Hession – recent, undated
Janet Klein and Ian Whitcomb — Steve Allen Theater December 2010
My Blue Heaven (Walter Donaldson, George Whiting) – Gene Austin introduced the song in 1927 with his recording which became a big hit. Later popular covers include those by Jimmie Lunceford in 1935 and Fats Domino in 1956. The list at wikipedia of recorded versions is one of the longest I’ve seen. Following Austin’s hit many popular orchestras of the late 20s and of the 1930s and 40s recorded versions of the song including those of Paul Whiteman, Nat Shilkret (The Victor Salon Orchestra) , Don Vorhees, Jimmie Lunceford, Woody Herman, Glen Miller, Ted Heath and numerous others. It has remained a popular tune for vocalists.
Gene Austin – 1927(?) — this recording by Austin was, according to wikipedia, a “huge hit” in 1928
Paul Whiteman and his Orchestra – recorded 6 July 1927
Henry Busse, Red Nichols – trumpets
Wilbur Hall, trombone, Jack Fulton, Tommy Dorsey – Trombones
Max Farley, Chester Hazlett, Hal McLean, Jimmy Dorsey? – reeds
Charles Strickfaden – alto sax, baritone sax
Kurt Dieterle, Mischa Russell,Mario Perry, Matt Malneck – violins
Harry Perella – piano
Mike Pingitore – banjo
John Sperzel – tuba
Harold MacDonald – drums
Jack Fulton, Charles Gaylord, Austin Young, Bing Crosby, Al Rinker – vocals*
*Notes: The credits are from the video provider with one exception. Chester Gaylord changed to Charles Gaylord after a visitor (see anonymous comment) who knew and worked with the man corrected me.
Two of the vocalists, Bing Crosby and Al Rinker (recently arrived from Spokane, Washington) were hired by Paul Whiteman in late 1926 but weren’t immediately successful. However, soon they were joined by songwriter Harry Barris and became a popular trio after Whiteman’s recording of Barris’s song Mississippi Mud, featuring vocals by the trio, became a hit. The three were billed as Paul Whiteman’s Rhythm Boys.
Vaughn DeLeath – 1928
My Blue Heaven (m. Walter Donaldson, w. George Whiting)
When whippoorwills call
And evening is nigh
I hurry to my blue heaven
A turn to the right
A little white light
Will lead you to my blue heaven
You’ll see a smiling face,
A fireplace, a cozy room,
A little nest that’s nestled
Where the roses bloom
Just Mollie and me
And baby makes three,
We’re happy in my blue heaven
Glenn Miller and his Orchestra – date unknown, live
A Ferde Grofé arrangement performed by Gary Lawrence and His Sizzling Syncopators
Changes (w.m. Walter Donaldson)
Paul Whiteman and his Orchestra – featuring Bix Beiderbecke and The Rhythm Boys – recorded 23 November 1927
Piano Roll played by Vee Lawnhurst – undated, presumably c. 1927
Jim Hession – recorded at Word of Mouth 10 March 2008
At Sundown (words and music by Walter Donaldson) — The Dorsey Brothers, Artie Shaw, and Glenn Miller recorded versions of the song. Popular singers to record it include Dean Martin and Doris Day.
chorus: Every little breeze is sighin’
Of love undyin’ at sundown
Every little bird is restin’
And feather nestin’ at sundown
Each little rosebud is sleeping
While shadows are creeping
In a little cottage cozy
The world seems rosy at sundown
Where a loving smile will greet me
And always meet me at sundown
I seem to sigh I’m in heaven
When night is fallin’
And love is callin’ me home
George Olsen and his Orchestra, vocals: Bob Borger, Fran Frey & Bob Rice
Ruth Etting – recorded 27 June 1927
Doris Day – Love Me or Leave Me film soundtrack, 1955. It was one of a number of songs that had been recorded by Ruth Etting which were included in the 1955 biographical film Love Me or Leave Me, in which Day portrayed Etting. Wikipedia indicates that the soundtrack album, with an orchestra arranged and conducted by Percy Faith, was the top selling album of 1955.
Recorded at the Tribute to Bix Beiderbecke Jazz Festival, Racine, Wisconsin – 13 March 2009 – musicians: Andy Schumm: cornet, Dave Bock: trombone, John Otto: clarinet, Vince Giordano: bass sax, Paul Asaro: piano, Leah Bezin: banjo, Josh Duffee: drums
Makin’ Whoopee!, My Baby Just Cares For Me, and Love Me Or Leave Me were all hits from the Broadway musical comedy, Whoopee!, which debuted 4 December 1928. The original version was produced by Florenz Ziegfeld and starred Eddie Cantor, Ruth Etting and Frances Upton. The two-act musical ran for 379 performances.
Text from wikipedia:
My Baby Just Cares for Me is a song written by Walter Donaldson with lyrics by Gus Kahn. It was one of three hit songs from the 1928 musical Whoopee, starring Eddie Cantor and Ruth Etting. It is best known as the signature tune of singer and pianist Nina Simone.
Simone recorded the song in 1958 for her debut album, Little Girl Blue. The track remained relatively obscure until 1987, when it was used in a UK television commercial for Chanel No. 5 perfume. To follow up this exposure, the track was released as a single by Charly Records, entering the UK Singles Chart on October 31, 1987 and becoming, at Number 5, one of Simone’s biggest hits almost nineteen years after her previous chart entry.
Makin’ Whoopee! (Donaldson, Gus Kahn)
Eddie Cantor – Cantor introduced the song and became it’s first popularizer in the successful musical Whoopee! (running for 379 performances). The first clip below is from Cantor’s performance in the 1930 movie adaptation.
Bing Crosby withPaul Whiteman and his Orchestra and, according to a comment at youtube, a chorus consisting of Jack Fulton, Charles Gaylord and Austin Young — recorded 11 December 1928. – This is not The Rhythm Boys as I erroneously reported earlier.
Scrappy Lambert, Ben Bernie and his Hotel Roosevelt Orchestra – 1928 (?)
Love Me Or Leave Me (Donaldson, Kahn) – One of the three hits in the 1928 show Whoopee!, Love Me or Leave Me, sung by Ruth Etting, was so popular that it was interpolated into the 1930 show Simple Simon which also featured Ms. Etting. The original version of the song, the biggest-selling at the time, was recorded by Ruth Etting on December 17, 1928. It was issued by Columbia Records as catalog number 1680-D, with the flip side I’m Bringing a Red, Red Rose, another Donaldson/Kahn composition. The song reached #2 on the charts in 1929. – wikipedia
Billie Holiday – Session #45 New York, 7 August 1941, Teddy Wilson and his Orchestra (OKeh – Columbia) — Emmett Berry (tp) Jimmy Hamilton (cl) (ts) Hymie Schertzer (as) Babe Russin (ts) Teddy Wilson (p) Al Casey (g) John Williams (b) JC Heard (d) Billie Holiday (v)
Lester Young and Teddy Wilson – date unknown
Out-O’-Town Gal (Walter Donaldson) — Another 1928 song
Paul Whiteman and his Orchestra, vocals: the Rhythm Boys — 1928
You’re Driving Me Crazy (What Did I Do?) (w.m. Walter Donaldson)
- See the separate feature page: You’re Driving Me Crazy (What Did I Do?)
That’s What I Like About You (Walter Donaldson)
The Boswell Sisters with the Jackie Taylor Orchestra
Without That Man (Walter Donaldson) – Etting recorded this Walter Donaldson song in 1930, according to ruthetting.com. The label bears the original title, Without That Gal, the title in Spanish, and the copyright date 1926.
Etting performed the song with Eddie Lang in the 1932 short film A Regular Trouper. Embedding is disabled on this video. Click the following link to watch it at Youtube: Ruth Etting with guitarist Eddie Lang in A Regular Trouper (1932)
An Ev’ning in Caroline (Walter Donaldson)
The Boswell Sisters – recorded 5 November 1931 – Dorsey Brothers Orchestra: Bunny Berigan, (tpt), Tommy Dorsey (tbn), Jimmy Dorsey (cl, as), Joe Venuti (vln), Arthur Schutt (p), Eddie Lang (g), Artie Bernstein (sb), Stan King (d), Victor Young (cond) New York City
Jungle Fever (m. Walter Donaldson, w. Howard Dietz) – from the film Operator 13 (1934) performed by the Mills Brothers