Gerry Goffin & Carole King: selected hits, 1960-1965

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Gerry Goffin and Carole King-1a

All songs included on this page were written by Carole King (music) and Gerry Goffin (words), except as noted.

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1960

Will You Love Me Tomorrow (m. Gerry Goffin, w. Carole King) credited as “Carol King-Jerry Goffin”

Gerry Goffin and Carole King-2bselected links:

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The Shirelles — issued in November 1960 on Scepter 1211, b/w “Boys” — single chart success: US #1, Hot 100; #2, R&B; UK #4, pop — At least one early pressing of the single bore the title “Tomorrow” (see label above left). Wikipedia says:

The single’s first pressing was labeled simply “Tomorrow”, then lengthened later. When first presented with the song, lead singer Shirley Owens (later known as Shirley Alston-Reeves) did not want to record it, because she thought it was “too country.” She relented after a string arrangement was added.

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audio file, VBR MP3 (3.7 MB), from the page 1961 Hits, at archive.org:

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audio file, VBR MP3 (2.5 MB), from the page Music, 1961-1962, at archive.org:

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1962

Chains

The Cookies — issued in October 1962 on Dimension 1002, b/w “Stranger In My Arms” (Goffin, King); chart peak: #17, Hot 100

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Go Away Little Girl

From Wikipedia:

In late 1962, Steve Lawrence released the original recording of this song. The single reached number one on the Billboard Hot 100 in January 1963 and remained in the top position for two weeks. The song is notable for making the American Top 20 three times: for Steve Lawrence in 1962 (US #1), for The Happenings in 1966 (US #12), and for Donny Osmond in 1971 (US #1). It is also the first song, and one of only nine songs, to reach US #1 by two different artists.[1]

Carol King — demo, presumably recorded in 1962 (poor sound quality)

The video provider suggests that Bobby Vee turned down an offer from King to introduce the song commercially. However, Second Hand Songs indicates that Vee recorded a version of the song on 28 March 1962, which would have been over six months before Lawrence’s single was issued, and that the Vee recording was released on his 1963 LP “The Night Has a Thousand Eyes.” One possible scenario is that Bobby Vee’s March 1962 recording was rejected as a single, then later included on the 1963 album, after the success of the single by Lawrence.

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Steve Lawrence — issued on 12 October 1962 on the single Columbia 4-42601, b/w “If You Love Her Tell Her So” — chart success: #1, Hot 100 (2 weeks, 12&19 January 1963)

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Richard “Groove” Holmes —  from the 1973 album Night Glider (Groove Merchant)

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Up On the Roof 

Of the hit version by the Drifters, Wikipedia says:

Released at the tail end of [1962], the song became a big hit in early 1963, reaching number five on the U.S. pop singles chart and number 4 on the U.S. R&B singles chart.[1]

Little Eva (with back vocals by an unidentified group, possibly the Cookies) —  from Little Eva’s 1962 album Llllloco-Motion

Among the twelve songs on the album are eight written by Goffin & King, including ‘The Loco-Motion,” “Up On a Roof,” “Some Kind-A Wonderful” [“Some Kind of Wonderful”], and “Will You Love Me Tomorrow?”

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The Drifters, led by Rudy Lewis — issued in September 1962 on Atlantic 45-2162, b/w “Another Night With the Boys” — arranged and conducted by Gary Sherman

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Carole King – from her 1970 debut solo album Writer

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1963

Don’t Say Nothin’ Bad (About My Baby)

The Cookies — issued in February 1963 on Dimension 1008, b/w “Softly in the Night” (Goffin, King) — chart success: #7, Hot 100

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Hey Girl

Freddie Scott with backing vocals by The Cookies — issued in June 1963 on the single Colpix CP-692, b/w “The Slide”

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Carole King — from the 1980 album Pearls: Songs of Goffin and King

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1964

Oh No, Not My Baby 

From Wikipedia:

The first released version of “Oh No Not My Baby” [sic] was by Maxine Brown, according to whom the song had first been recorded by her Scepter Records’ roster-mates the Shirelles with the group’s members alternating leads, an approach which had rendered the song unreleasable.

Brown says that Scepter exec Stan Greenberg gave her the song with the advisement that she had to “find the original melody” from the recording by the Shirelles: “they [had gone] so far off by each [group member] taking their own lead, no one knew any more where the real melody stood.”

Brown recalls sitting on the porch of her one level house in Queens listening to the Shirelles’ track play on a boom box propped in a window. A group of children skipping rope on the sidewalk picked up the song’s main hook before Brown herself; hearing the children singing “Oh no not my baby” as they skipped gave Brown the wherewithal to determine the song’s melody. Brown recorded her vocal over the Shirelles’ track with the group’s vocals erased; Dee Dee Warwick provided the harmony vocal on the chorus.[2]

[doc says: Wait…Was that a reel-to-reel boom box?]

Released in September 1964, Brown’s “Oh No Not My Baby” spent seven weeks in the Top 40 of the Billboard Hot 100 in December 1964 – January 1965 with a #24 peak. A concurrent UK release on Scepter’s British licensee Pye Records was overlooked but the song was covered by Manfred Mann – whose version of the Shirelles’ “Sha La La” had shared the U.S. Top 40 with Brown’s “Oh No Not My Baby” – and that group’s version of “Oh No Not My Baby”, released 9 April 1965, reached #11 UK.

Maxine Brown —  released in September 1964

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Aretha Franklin — from the 1970 LP Spirit in the Dark

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Carole King — from the album Pearls: Songs of Goffin and King, released in 1980

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1965

Just Once in My Life (Gerry Goffin, Carole King and Phil Spector)

Wikipedia says:

After the success of the Righteous Brothers’ first single with Phil Spector, “You’ve Lost That Lovin’ Feelin,’ ” the writers of the song Barry Mann and Cynthia Weil then wrote “(You’re My) Soul and Inspiration” for them. The song however was not completed,[1] and Spector instead asked Carole King to write a song for the duo, which turned out to be “Just Once in My Life”.[2]

The Righteous Brothers released their version as a single in April 1965 as the follow-up to “You’ve Lost That Lovin’ Feelin.’ ” Their second release on the Philles label, the single was another big hit, making the top ten of the Billboard Hot 100, reaching number nine.

Carole King – undated demo

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The Righteous Brothers — issued in April 1965 on Philles 127, b/w “The Blues” (B. Medley)

The production team members credited on the single label:

Producer: Phil Spector
Arranger: Jack “Specs” Nitzsche
Engineer: Larry Levine

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(below) backing track only

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Beach Boys — from 15 Big Ones, released in 1976

3 Comments (+add yours?)

  1. Trackback: “Goffin and King”Love & Music: 1950s-2010s | The Pop History Dig
  2. musicdoc1
    Oct 30, 2023 @ 14:12:30

    Liked by 1 person

    Reply

  3. Azamfarooq
    Feb 24, 2024 @ 03:28:09

    Nice

    Liked by 2 people

    Reply

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